Please join us for a joyful & inquisitive evening with poetry readings byMichelle Detorie & Tsering Wangmo Dhompa.
Now with the LARK POP UP BOOKSHOP and GRAND RECEPTION beginning at 7; READINGS beginning a bit after 8.
We ask a $10 donation at the door, which directly supports the space and the writers. We are always looking for volunteers to help out. No one turned away for lack of funds.
Please see our tumblr for more information about tonight's readers. http://larkreadingsatstudiogrand.tumblr.com/
Michelle Detorie lives in Santa Barbara, CA, where she edits Hex Presse and works at Santa Barbara City College. Recent works include the chapbooks Fur Birds (Insert Press, 2012), Ode to Industry (Dusie/Playful Rectangle, 2009), How Hate Got Hand (eohippus labs, 2009), Bellum Letters (Dusie 2008), and A Coincidence of Wants (Dos Press, 2007). In 2007, Michelle was awarded a National Endowment for the Arts literature fellowship, and in 2010 she won a direct-to-artist grant from the Santa Barbara Arts Collaborative for her public art project, The Poetry Booth. These poems are from the full-length collection Fur Birds, which is forthcoming from Ahsahta Press in March 2015.
Tsering Wangmo Dhompa
Poet Tsering Wangmo Dhompa’s parents fled Tibet in 1959. Raised by her mother in Tibetan communities in Dharamsala, India, and Kathmandu, Nepal, Dhompa earned a BA and an MA from Lady Shri Ram College in New Delhi, an MA from the University of Massachusetts Amherst, and an MFA in creative writing from San Francisco State University. She is the author of the poetry chapbooks In Writing the Names(2000) and Recurring Gestures (2000). She has published the full-length collectionsRules of the House (2002), In the Absent Everyday (2005), and My Rice tastes like the lake (2011), which was a finalist for the Northern California Independent Bookseller’s Book of the Year Award for 2012. Tsering's non-fiction book based on her life is called A Home in Tibet (Penguin India, 2013).
Fluent in several languages and dialects—including Tibetan, Hindi, and Nepali—Dhompa writes in English. Through innovative structures and schemas, her poetry articulates the nostalgia of displaced Tibetans, recording the memories of elders in Tibetan communities. In a Verse online review of In the Absent Everyday, Joshua Marie Wilkinson noted the “uncanniness (the familiar strangeness) of myriad lines which simultaneously do and do not cohere at once, which seems disparate and effortlessly linked at the same time.”
Dhompa has received grants from the San Francisco Arts Commission and the Galen Rowell Fund and has been a writing fellow at the MacDowell Colony and Hedgebrook. She is pursuing a PhD in Literature at the University of California, Santa Cruz.
In May 2013, Dhompa was a featured writer on Harriet.